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(mother)Tj
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(With the )Tj
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(Mother)Tj
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(project on show until 5 April at Basta - )Tj
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(Espace)Tj
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(d'Art Contemporain)Tj
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(in Lausanne the artist, Paul Kirps, is conti-)Tj
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(nuing his investigations into the relationships of man and machine)Tj
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(through graphical representations and illustrations of techno-)'
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(logical aesthetics. This work of art has been created in a pop-art)'
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(style and is bathed in the nostalgic atmosphere of the 1980s,)'
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(evoking modern science-fiction cinema.)'
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(The mural illustration, )Tj
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(Mother)Tj
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(, made up of a juxtaposition of)Tj
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(adhesive vinyl, inspires through its title, a maternal relationship)Tj
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(with the viewer. Geometric shapes and surfaces of uniform)'
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(colour applied sparingly, in poetic tones, take possession of the)'
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(three dimensions of the exhibition area, like the interface of the)'
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(central informatics unit positioned on the bridge of a spaceship.)'
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(Mother)Tj
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(, a maternal figure in the technological world, makes)Tj
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(direct reference to the huge archaic computers of the 1980s)Tj
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(with the numerous flashing command buttons \()'
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(Albator, Star)Tj
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(Trek, Goldorak)Tj
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(\) and to artificial intelligence. )Tj
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(This \322mural illustration\323 or \322illustrative installation\323, created by)Tj
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(Paul Kirps, suggests man\325s loss of control over machines and)Tj
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(the danger of the all-powerful computer system taking control)'
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(of the human brain. HAL in )'
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(2001: A Space Odyssey)Tj
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(, the)Tj
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(Nostromo)Tj
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(in )Tj
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(Alien)Tj
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[(, and the strange scientific dysfunctions)-147(popu)-1(-)]TJ
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(lating the American SF literature of Asimov, Clarke and Dick,)Tj
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(where robots and war vessels break the law, destroy humanity)'
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(and take control of psychological worlds of post-traumatic fantasy.)'
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(White dominates in )'
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(Mother)Tj
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(, creating an impression of cold)Tj
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(sobriety, a feeling of amnesia and loss of consciousness, pro-)Tj
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(voked by the black holes in the galaxy\325s void and the absence)'
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(of landmarks, perspectives refracted in space which paradoxically)'
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(create the disjointed framework of )'
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(Mother)Tj
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(. )Tj
10.5157 37.8889 TD
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(Born in 1969 in Luxembourg, Paul Kirps is a graphic design gra-)Tj
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(duate from the University of art and design (Ecal) in Lausanne.)Tj
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(He has collaborated with the renowned studios, Buro-X and)'
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(Koeweiden/Postma Design; participated in founding the Qua-)'
T*
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(Lab-experimental design lab (Barcelona); and was artistic director)Tj
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(of the publications centre at Expo.02 in Switzerland in 2000.)'
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(Paul Kirps has already created a large-scale illustration on the)'
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(Mudam building )'
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((Camp de Base))Tj
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(in Luxembourg for the)Tj
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(Graphique Deluxe)Tj
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(exhibition (2005). Later, he took part in the)Tj
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(safe)Tj
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(exhibition at MoMA and the)Tj
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(Eldorado)Tj
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(exhibition at Mudam,)Tj
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(and he ventured into the new territory of film by creating)Tj
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(Autoreverse)Tj
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(, a series of audiovisual sequences of decompo-)Tj
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(sing and recomposing fragments of machines produced from)Tj
0.0478 Tw
(recycled electrical household appliances, before founding the)'
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(bande \210 part )Tj
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(collective with Marianne Grisse in 2006.)Tj
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(With )Tj
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(Mother)Tj
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(, Paul Kirps continues his journey which leads him)Tj
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(somewhere between graphic aesthetics and art, confirming his)Tj
-0.0608 Tw
(mastery of the exploitation of tri-dimensional space by drawing)'
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(again from his repertory of shapes collected from the worlds)'
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(of illustration and imaginary technology.)'
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(Original press release concerning the exhibition )Tj
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(mother)Tj
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(in march 2008 at)Tj
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[(Basta)-34(-)-35(Espace d'Art Contemporain)]TJ
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(in Lausanne, Switzerland. French text by)Tj
-16.2255 -1.2857 TD
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[(Didier Damiani, english translation by Eilidh Horder. )-1